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The title refers to the portrait by <<http://en.wikipedia.org/wiki/Henry_Raeburn|Sir Henry Raeburn>>
of “Reverend Robert Walker skating on Duddingston Loch”
(or “The Skating Minister”, for short)
which now hangs in the
<<https://www.nationalgalleries.org/art-and-artists/5327|National Gallery of Scotland>>.
Art and artists were among <<ddp:Goldring, Roy>>’s other great passions.

<<imgt:skating-minister.jpg|The Rev. Robert Walker skating on Duddingston Loch|192x300:right>>
The Revd Dr Robert Walker (1755–1808), a personal friend of Henry Raeburn's,
was born in Ayrshire but – as his father served as the minister of the
Scots Kirk in Rotterdam – he lived in the Netherlands as a child, and it is reasonable to assume
that he learned to skate there. Having been licensed as a minister in 1770 (!) he eventually became
minister of the Canongate Kirk in Edinburgh and joined the Edinburgh Skating Club (the world's first
figure skating club), whose members frequented Duddingston Loch (seen in the painting)
or Lochend Loch when conditions were suitable for skating. According to the National Gallery of
Scotland, “Walker's pose, as he glides across the ice, looks effortless, but would have been
recognised by fellow skaters as a difficult and sophisticated manœuvre.”

The picture, which was painted around 1795,
spent a long time in the possession of the Walker family before passing
through the hands of a number of owners during the first half of the 20th century
and finally, in 1949, being acquired, for £525,
by the National Gallery of Scotland where it languished in obscurity for another few decades.
It was featured on a commemorative postage stamp in 1973
and eventually displayed in an exhibition of Raeburn pictures at
the National Portrait Gallery in London in 1997, where it appeared on widely publicised posters
and finally achieved its well-deserved popularity.

This painting is rather unlike other portraits by Raeburn and there is an ongoing controversy
where some art historians claim it was actually executed by the French painter, Henri-Pierre Danloux.
In spite of this, it is considered an iconic work, has been exhibited domestically and abroad,
and has also found its way into popular culture,
making cameo appearances in TV shows and popular fiction.
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